What remains when everything is gone?
Indeed, the emptiness of space is, for me, the crucial hint at the fundamental principles of life, because everything that happens and everything that materializes comes from emptiness and returns to emptiness. Every atom vibrates in empty space, and between every thought, the emptiness reveals itself for a brief moment. Therefore, emptiness is more fascinating to me than mass, which I tend to dissolve. I approach form in a way that is quite different from the traditional methods of sculpture.
Making of „Veins 《脉络》“ – Guangzhou, China
Veins – Guangzhou, China, 2026
Originally created in marble, Georg Scheele’s sculpture Veins was reinterpreted as a monumental stainless-steel work for a permanent public installation at The Green Shore in Guangzhou, China.
Its flowing, interconnected lines evoke the hidden structures that connect people and their lives. The title Veins refers to the invisible bonds between generations, memories, roots, time and human relationships.
The transformation from marble into stainless steel gives the sculpture a new presence. Its reflective surface responds continuously to light, architecture and movement, while the open spaces between its forms create a sense of weightlessness.
Despite its monumental scale, the work retains the delicacy and fluidity characteristic of Georg Scheele’s sculptural language. Veins demonstrates how an artistic idea developed through hand-carved marble can evolve into a contemporary landmark for architecture and public space.
Learn about making of „Veins“ >
Making of „Essence of Being“
A Monument to Freedom – Paris, 2025
On 10 May 2025, a permanent public sculpture by Georg Scheele was inaugurated in Villeneuve-la-Garenne in the Paris metropolitan region. Commissioned in cooperation with the City of Villeneuve-la-Garenne and the Paris-based art organisation Quai 36, the work commemorates the abolition of slavery and the universal struggle for freedom.
Its flowing, intertwined forms represent the connecting thread of abolition, bringing together the many individual stories shaped by this painful chapter of history. The sculpture creates a symbolic bridge between past, present and future.
Rather than depicting a historical event literally, Georg Scheele translates remembrance, liberation and human connection into an abstract sculptural language. The spaces between the forms are as significant as the material itself: they open the work to light, movement and personal reflection.
Installed in the heart of the city, the sculpture provides a lasting place of remembrance, contemplation and hope. It demonstrates how contemporary art can preserve collective memory while creating new connections between history, people and generations.
Interview with Georg Scheele
Interviewer: Georg, your sculptures are known for their fluid, almost ethereal forms. How did you first come to work with stone in such an unconventional way?
Georg Scheele: It all started with an intense curiosity about the material. Stone is ancient and carries an energy that inspires me. I felt drawn to uncover shapes that seem impossible—forms that make the stone feel light, even soft. That’s the challenge and the beauty of working with it.
Interviewer: Many of your pieces seem to defy gravity and conventional structure. What’s your creative process like?
Georg Scheele: My process begins with the stone itself; I spend a lot of time observing each piece before I even touch it. Every block has its own story and lines, and I let those guide my vision. Then, it’s about balancing power and precision. I cut away what feels unnecessary, shaping the stone into something almost weightless in appearance—flowing lines, twisting shapes, a sense of movement. I aim to create an illusion of softness and light.
Interviewer: What do you hope people feel when they see your work?
Georg Scheele: I hope they feel a sense of wonder, maybe even a bit of disbelief. I want them to question their ideas about what stone can do, to see it in a new way. If they can feel a connection to the energy and fluidity of the piece, then I’ve succeeded. It’s about inviting them into a space where they can see the world, and the material, differently.
The Making of Joy
Georg Scheele – Sculptor
My sculptures are represented in various galleries in Portugal, Greece, and London, and are part of collections worldwide. My works are also shown and sold at art auctions such as Sotheby’s London and art fairs like the San Francisco 20th Century Fair, Feira de Arte Lisboa, Art Madrid, the Berardo Collection, artsy, MutualArt and artnet.
Contact & Commissions
If you would like to learn more about my work, commission a sculpture, or inquire about available pieces, please don’t hesitate to contact me. I look forward to discussing your ideas and bringing your vision to life.